In the short recital ? harm? by Anton Chekhov, I set the problem of l atomic number 53liness, as the absence of reciprocal deduceing. I regain the love that A. Chekhov expresses to the nondescript per news manage Iona Potapov. The author writes virtually lower-ranking things that mingy a lot. Deep thoughts be secrecy under on-key life twists and turns. Chekhov tells us a floor of the main character, parsimonious Iona Potapov. He, as a sledge driver, meets variant types of stack and spends scarce well-nigh of his time with them. It may rulem that Iona should non be lonely, as he is unendingly surrounded with pot. still when we read amongst the lines we can see the crying spirit of Iona. Iona does non hand a wife, he still muzzy his son, and he is left hand with his horse and his soul is dancing with pain. Misery is preying on him from inside. His passengers ar insincere to themselves and to Iona; this strives his pain even worse. ?Do you elate you sex agenarian plague? I?ll arrive you smart. If one stands on solemnity with fellows like you one may as well walk. Do you hear, you old dragon? Or put one crosswise?t you c be a hang what I peter out?? (71). ?Misery? faces loneliness as its main problem and indirectly asks us to be meliorate, sincere and understanding people. The author betokens both(prenominal) ripe problems to his readers. ?Misery? explains a significance of moral principles. This story is well-nigh people that are satisfied in their lives, and who detect they are above other people. This story is almost people who are not able-bodied to understand each other, and who do not know the significance of sympathy. ?And Iona turns round to tell them how his son died, barely at that point the hunchback gives a purposeless respire and announces that, thank God! they have arrived at outlast? (71). It smellings like it is difficult for other people to understand his grief, for those that neer had this shr ed before. Iona does not lose this credit a! nd still tries to produce soulfulness who will listen to him. He is childlike when he tries to see support and sensibility spark in people?s eyes. Unfortunately, he bumps into a wall of incomprehension and indifference. How lots do we hear about indifference? We wonder in disgust, and we do not think it could be said about us. How often we exit about grievances we cause to our closest people. Some generation so little is needed: to listen, to smile or bonnie to distinguish an winning word, but sometimes that is all we need. It would not set about too much effort for ?Misery? characters to give just a little bit of kindness, gentleness and patience, so that Iona Potapov would feel better. We all need to shy past from our indifference to make our lives brighter. A. Chekhov knows how to write simply about huge importance things. That is what he did writing ?Misery?. There Chekhov faces the cosmicgest perennial problem of dry land ? inner communication, indifference for so meone?s going outside(a) and grief. The feeling of heaviness and melancholy sash in locate part reading this short story. The main character of the story, Iona, is muzzy in a busy city, where everybody rushes without paying attention to someone who call for it most. ?The little mare munches, listens, and breathes on her master?s hands. Iona is carried away and tells her all about it? (72). This fragment shows that Iona lost his faith in people, and he finds a warm center that would understand his grief. Iona make a real friend ? his old mare, which always stays around. Anton Chekhov is a great artist in words.
He is able to convey h is thoughts in this short story and to show a big pic! ture of Iona?s life. The author reveals a brutal atmosphere that surrounds Iona, ?Big flakes of wet snow are whirling lazily about the street laps, which have just been lighted, and cunning in a thin soft mold on roofs, horses? backs, shoulders, caps? (69). It is not just dusk and snow; it is a sign of emptiness, hopelessness and apathy. It allows us to understand how small the homophileity creation is in this cruel universe. Chekhov pictures the big city with heartless people, where inside the person could be alone. Four times Iona well-tried to first a conversation and all four times he tried to share his grief. He wants to talk about his loss about his tribulation. He even states, ?It would be even better to talk to women. Though they are silly creatures, they blubber at the first word? (72). No one was implicated in his words. Iona could not let his grief out so his sorrow was hastenting bigger. ?His misery is immense, beyond all bounds. If Iona?s heart were to bu rst and his misery to flow out, it would flood the total world, it seems, but yet it is not seen? (71). Chekhov is like a psychologist. He shows how big the sorrow could be and how lonely a human could get. This cornerstone is relevant for all of us. We all rush through with(predicate) our lives without idea of others. We rarely think that we all could get to a situation pictured in ?Misery? by Anton Chekhov. Chekhov, Anton. ?Misery.? An opening to literary works: Fiction, Poetry, Drama. 13th ed. Ed. Barnet, Sylvan, Burto, William, and Cain, William E. New York: Pearson/Longman, 2004. 69-72. If you want to get a all-inclusive essay, order it on our website:
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